KATERINA JEBB, Fallen White Pigment
€17.750,00
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KATERINA JEBB, Fallen White Pigment, 2018 / 2022
Edition of 10 + 1 AP
Numbered
Accompanied by a Certificate of Authenticity
Hand knotted
230 x 320 cm (90.5 X 126 in)
Wool, Linen, Lyocell & Silk
Custom size upon request
Kalkeriet Contemporary is pleased to present Katerina Jebb, a multidisciplinary contemporary artist who has devised a system employing digital scanning machines to create works of art. Through her exploration of the medium in parallel with technological innovation Jebb manufactures composite imagery which contradicts the immediacy of its making. The resulting images have been recognized as a new visual medium and included in museums notably The Whitney Museum New York, The Metropolitan Museum New York, and V&A Museum London. Jebb’s work was the subject of a solo exhibition in 2016 at Musée Réattu Arles, France.
“Over a period of several years, I documented hundreds of objects and spaces in and around Balthus’ studio which has remained intact since his death in 2001. Upon my exploration I came across a dark corner beneath the window, where a large paper package containing white pigment had spilled onto the wooden floor some twenty-five years ago. I placed the scanner one centimeter above the fallen white pigment and reproduced the surface of the floor.”
– Katerina Jebb
Edition of 10 + 1 AP
Numbered
Accompanied by a Certificate of Authenticity
Hand knotted
230 x 320 cm (90.5 X 126 in)
Wool, Linen, Lyocell & Silk
Custom size upon request
Kalkeriet Contemporary is pleased to present Katerina Jebb, a multidisciplinary contemporary artist who has devised a system employing digital scanning machines to create works of art. Through her exploration of the medium in parallel with technological innovation Jebb manufactures composite imagery which contradicts the immediacy of its making. The resulting images have been recognized as a new visual medium and included in museums notably The Whitney Museum New York, The Metropolitan Museum New York, and V&A Museum London. Jebb’s work was the subject of a solo exhibition in 2016 at Musée Réattu Arles, France.
“Over a period of several years, I documented hundreds of objects and spaces in and around Balthus’ studio which has remained intact since his death in 2001. Upon my exploration I came across a dark corner beneath the window, where a large paper package containing white pigment had spilled onto the wooden floor some twenty-five years ago. I placed the scanner one centimeter above the fallen white pigment and reproduced the surface of the floor.”
– Katerina Jebb
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